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How Tall Was Arthur Miller

Written By Thursday, 15 September 2022 Add Comment Edit

American playwright and essayist (1915–2005)

Arthur Miller
Miller in 1997

Miller in 1997
Born Arthur Asher Miller
(1915-x-17)October 17, 1915
Manhattan, New York, U.Due south.
Died February 10, 2005(2005-02-10) (aged 89)
Roxbury, Connecticut, U.S.
Occupation
  • Playwright
  • essayist
  • screenwriter
Alma mater University of Michigan
Notable works
  • All My Sons
  • Death of a Salesman
  • The Crucible
  • A View from the Span
Notable awards
  • 1949 Pulitzer Prize for Drama
  • 1984 Kennedy Heart Honors
  • 2001 Praemium Imperiale
  • 2003 Jerusalem Prize
Spouse

Mary Slattery

​

​

(m. 1940; div. 1956)​

Marilyn Monroe

​

​

(grand. 1956; div. 1961)​

Inge Morath

​

​

(m. 1962; died 2002)​
Children four; including Rebecca
Relatives
  • Joan Copeland (sister)
  • Daniel Day-Lewis (son-in-law)
Signature
Arthur Miller signature.svg
Website
www.arthurmiller.org

Arthur Asher Miller (Oct 17, 1915 – February ten, 2005) was an American playwright, essayist and screenwriter in the 20th-century American theater. Among his most popular plays are All My Sons (1947), Death of a Salesman (1949), The Crucible (1953), and A View from the Bridge (1955). He wrote several screenplays and was well-nigh noted for his work on The Misfits (1961). The drama Expiry of a Salesman has been numbered on the short list of finest American plays in the 20th century.

Miller was often in the public heart, specially during the late 1940s, 1950s, and early 1960s. During this fourth dimension, he was awarded a Pulitzer Prize for Drama, testified earlier the House Un-American Activities Committee, and married Marilyn Monroe. In 1980, Miller received the St. Louis Literary Laurels from the Saint Louis University Library Associates.[i] [2] He received the Praemium Imperiale prize in 2001, Prince of Asturias Honor in 2002, and the Jerusalem Prize in 2003, also equally the Dorothy and Lillian Gish Prize in 1999.[three]

Biography [edit]

Early on life [edit]

Miller was built-in on October 17, 1915, in Harlem, in the New York Metropolis borough of Manhattan, the 2d of iii children of Augusta (Barnett) and Isidore Miller. Miller was Jewish and of Smoothen-Jewish descent.[iv] [5] [vi] [7] [8] [ix] [10] His male parent was born in Radomyśl Wielki, Galicia (so part of Austria-hungary, now Poland), and his mother was a native of New York whose parents also arrived from that town.[eleven] Isidore owned a women'due south clothing manufacturing business employing 400 people. He became a wealthy and respected man in the community.[12] The family, including Miller's younger sister Joan Copeland, lived on W[13] 110th Street in Manhattan, owned a summertime house in Far Rockaway, Queens, and employed a chauffeur.[xiv] In the Wall Street Crash of 1929, the family lost almost everything and moved to Gravesend, Brooklyn.[15] (One source says they moved to Midwood.)[16] As a teenager, Miller delivered bread every morning before school to help the family unit.[14] Miller later published an account of his early on years under the championship "A Boy Grew in Brooklyn". After graduating in 1932 from Abraham Lincoln Loftier Schoolhouse, he worked at several menial jobs to pay for his college tuition at the University of Michigan.[15] [17] After graduation (c.  1936), he began to work as a psychiatric aide and also a copywriter before accepting faculty posts at New York University and University of New Hampshire. On May 1, 1935, Miller joined the League of American Writers (1935–1943), whose members included Alexander Trachtenberg of International Publishers, Franklin Folsom, Louis Untermeyer, I. F. Stone, Myra Page, Millen Brand, Lillian Hellman, and Dashiell Hammett. (Members were largely either Communist Party members or beau travelers.)[eighteen]

At the University of Michigan, Miller first majored in journalism and worked for the student newspaper, The Michigan Daily, besides as the satirical Gargoyle Humor Magazine. Information technology was during this time that he wrote his starting time play, No Villain.[nineteen] Miller switched his major to English, and later on won the Avery Hopwood Award for No Villain. The honour brought him his get-go recognition and led him to brainstorm to consider that he could take a career equally a playwright. Miller enrolled in a playwriting seminar taught by the influential Professor Kenneth Rowe, who instructed him in his early forays into playwriting;[20] Rowe emphasized how a play is built in social club to achieve its intended effect, or what Miller called "the dynamics of play construction".[21] Rowe provided realistic feedback along with much-needed encouragement, and became a lifelong friend.[22] Miller retained strong ties to his alma mater throughout the residual of his life, establishing the university's Arthur Miller Award in 1985 and Arthur Miller Award for Dramatic Writing in 1999, and lending his proper name to the Arthur Miller Theatre in 2000.[23] In 1937, Miller wrote Honors at Dawn, which also received the Avery Hopwood Honor.[19] After his graduation in 1938, he joined the Federal Theatre Projection, a New Deal agency established to provide jobs in the theater. He chose the theater project despite the more lucrative offer to work every bit a scriptwriter for 20th Century Pull a fast one on.[19] All the same, Congress, worried well-nigh possible Communist infiltration, airtight the projection in 1939.[15] Miller began working in the Brooklyn Navy Yard while standing to write radio plays, some of which were circulate on CBS.[15] [xix]

Early on career [edit]

In 1940, Miller married Mary Grace Slattery.[24] The couple had two children, Jane (born September 7, 1944) and Robert (May 31, 1947 - March 6th, 2022).[25] Miller was exempted from military service during World War Two because of a high school football game injury to his left kneecap.[15] In 1944 Miller'southward kickoff play was produced; The Man Who Had All the Luck and won the Theatre Guild's National Laurels.[26] The play closed after iv performances with disastrous reviews.[27]

In 1947, Miller's play All My Sons, the writing of which had commenced in 1941, was a success on Broadway (earning him his first Tony Award, for Best Author) and his reputation as a playwright was established.[28] Years later, in a 1994 interview with Ron Rifkin, Miller said that about gimmicky critics regarded All My Sons as "a very depressing play in a time of great optimism" and that positive reviews from Brooks Atkinson of The New York Times had saved it from failure.[29]

In 1948, Miller built a small studio in Roxbury, Connecticut. There, in less than a mean solar day, he wrote Act I of Death of a Salesman. Within six weeks, he completed the residual of the play,[nineteen] one of the classics of world theater.[15] [thirty] Expiry of a Salesman premiered on Broadway on February 10, 1949, at the Morosco Theatre, directed by Elia Kazan, and starring Lee J. Cobb as Willy Loman, Mildred Dunnock as Linda, Arthur Kennedy as Biff, and Cameron Mitchell every bit Happy. The play was commercially successful and critically acclaimed, winning a Tony Laurels for Best Writer, the New York Drama Circumvolve Critics' Award, and the Pulitzer Prize for Drama. It was the showtime play to win all three of these major awards. The play was performed 742 times.[15]

In 1949, Miller exchanged letters with Eugene O'Neill regarding Miller's production of All My Sons. O'Neill had sent Miller a congratulatory telegram; in response, he wrote a letter that consisted of a few paragraphs detailing his gratitude for the telegram, apologizing for not responding earlier, and inviting Eugene to the opening of Death of a Salesman. O'Neill replied, accepting the apology, but declining the invitation, explaining that his Parkinson'southward affliction made information technology difficult to travel. He ended the letter of the alphabet with an invitation to Boston, a trip that never occurred.[31]

Critical years [edit]

In 1955, a one-act version of Miller's verse drama A View from the Bridge opened on Broadway in a articulation bill with one of Miller's lesser-known plays, A Memory of Two Mondays. The following year, Miller revised A View from the Bridge every bit a two-deed prose drama, which Peter Brook directed in London.[32] A French-Italian co-production Vu du pont, based on the play, was released in 1962.

Marriages and family [edit]

In June 1956, Miller left his beginning wife, Mary Slattery, whom he had married in 1940, and wed film star Marilyn Monroe.[24] They had met in 1951, had a brief matter, and remained in contact since.[fifteen] [24] Monroe had merely turned xxx when they married; she never had a real family of her ain and was eager to join the family of her new married man.[33] : 156

Monroe began to reconsider her career and the fact that trying to manage it made her feel helpless. She admitted to Miller, "I hate Hollywood. I don't want it whatsoever more. I want to live quietly in the state and just be there when you lot demand me. I can't fight for myself whatever more."[33] : 154

Monroe converted to Judaism to "express her loyalty and get close to both Miller and his parents", writes biographer Jeffrey Meyers.[33] : 156 She told her close friend, Susan Strasberg: "I can identify with the Jews. Everybody's always out to get them, no matter what they practise, similar me."[33] : 156 Soon after Monroe converted, Egypt banned all of her movies.[33] : 157

Away from Hollywood and the culture of celebrity, Monroe'southward life became more normal; she began cooking, keeping house and giving Miller more attending and amore than he had been used to.[33] : 157

Later that year, Miller was subpoenaed past the HUAC, and Monroe accompanied him.[34] In her personal notes, she wrote about her worries during this menses:

I am and so concerned about protecting Arthur. I beloved him—and he is the only person—homo being I have ever known that I could beloved not simply as a man to which I am attracted to practically out of my senses—but he is the simply person—as another human being that I trust equally much as myself...[35]

Miller began piece of work on writing the screenplay for The Misfits in 1960, directed by John Huston and starring Monroe but it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life.[36] Monroe was taking drugs to help her slumber and more than drugs to help her wake up, which caused her to arrive on the set late and and so have trouble remembering her lines. Huston was unaware that Miller and Monroe were having problems in their private life. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions."[37]

Shortly before the film's premiere in 1961, Miller and Monroe divorced subsequently 5 years of marriage.[19] Xix months later, on Baronial 5, 1962, Monroe died of a probable drug overdose.[38] Huston, who had too directed her in her first major role in The Cobblestone Jungle in 1950, and who had seen her rise to stardom, put the blame for her death on her doctors equally opposed to the stresses of being a star: "The girl was an addict of sleeping pills and she was made so past the God-damn doctors. Information technology had goose egg to do with the Hollywood prepare-up."[39]

Miller married photographer Inge Morath in February 1962. She had worked as a photographer documenting the production of The Misfits. The starting time of their ii children, Rebecca, was born September 15, 1962. Their son, Daniel, was built-in with Down syndrome in November 1966. Confronting his wife's wishes, Miller had him institutionalized, kickoff at a dwelling for infants in New York City, and and then at the Southbury Training School in Connecticut. Though Morath visited Daniel often, Miller never visited him at the schoolhouse and rarely spoke of him.[40] [41] Miller and Inge remained together until her death in 2002. Arthur Miller's son-in-law, player Daniel Day-Lewis, is said to have visited Daniel frequently, and to have persuaded Arthur Miller to meet with him.[42]

HUAC controversy and The Crucible [edit]

In 1952, Elia Kazan appeared before the House United nations-American Activities Commission (HUAC). Kazan named viii members of the Grouping Theatre, including Clifford Odets, Paula Strasberg, Lillian Hellman, J. Edward Bromberg, and John Garfield,[43] who in recent years had been fellow members of the Communist Party.[44] Miller and Kazan were shut friends throughout the late 1940s and early 1950s, merely after Kazan'due south testimony to the HUAC, the pair'southward friendship ended.[44] Subsequently speaking with Kazan virtually his testimony, Miller traveled to Salem, Massachusetts, to research the witch trials of 1692.[24] He and Kazan did not speak to each other for the next ten years. Kazan after defended his ain actions through his film On the Waterfront, in which a dockworker heroically testifies confronting a decadent wedlock boss.[45] Miller would retaliate against Kazan'due south work past writing A View from the Bridge, a play where a longshoreman outs his co-workers motivated simply past jealousy and greed. He sent a re-create of the initial script to Kazan and when the director asked in jest to direct the movie, Miller replied "I only sent you the script to let you know what I think of Stool-Pigeons."

In The Crucible, Miller likened the situation with the House Un-American Activities Committee to the witch hunt in Salem in 1692.[46] [47] [34] The play opened at the Martin Brook Theatre on Broadway on January 22, 1953. Though widely considered only somewhat successful at the time of its release, today The Crucible is Miller's virtually frequently produced work throughout the world.[24] It was adapted into an opera past Robert Ward in 1961.

While newsmen take notes, Chairman Dies of House United nations-American Activities Committee reads and proofs his letter replying to Pres. Roosevelt's attack on the committee, October 26, 1938

The HUAC took an interest in Miller himself not long after The Crucible opened, engineering the U.s. State Section's denying him a passport to nourish the play'south London opening in 1954.[19] When Miller applied in 1956 for a routine renewal of his passport, the Business firm United nations-American Activities Committee used this opportunity to subpoena him to appear earlier the committee. Earlier appearing, Miller asked the commission not to ask him to name names, to which the chairman, Francis Due east. Walter (D-PA) agreed.[48] When Miller attended the hearing, to which Monroe accompanied him, risking her own career,[24] he gave the commission a detailed account of his political activities.[49] Reneging on the chairman's promise, the commission demanded the names of friends and colleagues who had participated in similar activities.[48] Miller refused to comply, saying "I could non utilize the name of another person and bring trouble on him."[48] As a issue, a gauge institute Miller guilty of antipathy of Congress in May 1957. Miller was sentenced to a fine and a prison sentence, blacklisted, and disallowed a The states passport.[50] In August 1958, his conviction was overturned past the court of appeals, which ruled that Miller had been misled by the chairman of the HUAC.[48]

Miller's experience with the HUAC afflicted him throughout his life. In the late 1970s, he joined other celebrities (including William Styron and Mike Nichols) who were brought together past the journalist Joan Barthel. Barthel's coverage of the highly publicized Barbara Gibbons murder instance helped enhance bail for Gibbons' son Peter Reilly, who had been bedevilled of his mother'due south murder based on what many felt was a coerced confession and piddling other evidence.[51] Barthel documented the instance in her book A Expiry in Canaan, which was fabricated as a television picture of the aforementioned proper noun and broadcast in 1978.[52] City Confidential, an A&E Network series, produced an episode almost the murder, postulating that part of the reason Miller took such an active involvement (including supporting Reilly's defense and using his ain celebrity to bring attention to Reilly's plight) was because he had felt similarly persecuted in his run-ins with the HUAC. He sympathized with Reilly, whom he firmly believed to exist innocent and to have been railroaded past the Connecticut State Police and the Attorney Full general who had initially prosecuted the instance.[53] [54]

Afterwards career [edit]

In 1964, Afterwards the Fall was produced, and is said to be a deeply personal view of Miller's experiences during his matrimony to Monroe. The play reunited Miller with his former friend Kazan: they collaborated on both the script and the management. Later on the Fall opened on January 23, 1964, at the ANTA Theatre in Washington Foursquare Park amongst a flurry of publicity and outrage at putting a Monroe-like character, chosen Maggie, on stage.[24] Robert Brustein, in a review in the New Democracy, chosen After the Fall "a three and one half hour alienation of gustation, a confessional autobiography of embarrassing explicitness ... there is a misogynistic strain in the play which the author does not seem to recognize. ... He has created a shameless slice of tabloid gossip, an act of exhibitionism which makes us all voyeurs, ... a wretched piece of dramatic writing."[55] That aforementioned year, Miller produced Incident at Vichy. In 1965, Miller was elected the outset American president of PEN International, a position which he held for 4 years.[56] A year later, Miller organized the 1966 PEN congress in New York City. Miller likewise wrote the penetrating family unit drama, The Price, produced in 1968.[24] It was Miller's about successful play since Decease of a Salesman. [57]

In 1968, Miller attended the Democratic National Convention every bit a delegate for Eugene McCarthy.[58] In 1969, Miller'south works were banned in the Soviet Spousal relationship after he campaigned for the freedom of dissident writers.[19] Throughout the 1970s, Miller spent much of his time experimenting with the theatre, producing one-act plays such as Fame and The Reason Why, and traveling with his wife, producing In the Land and Chinese Encounters with her. Both his 1972 one-act The Creation of the World and Other Concern and its musical accommodation, Upward from Paradise, were critical and commercial failures.[59] [60]

Miller was an unusually clear commentator on his own work. In 1978 he published a collection of his Theater Essays, edited past Robert A. Martin and with a foreword by Miller. Highlights of the drove included Miller'due south introduction to his Nerveless Plays, his reflections on the theory of tragedy, comments on the McCarthy Era, and pieces arguing for a publicly supported theater. Reviewing this collection in the Chicago Tribune, Studs Terkel remarked, "in reading [the Theater Essays]...you are exhilaratingly aware of a social critic, as well as a playwright, who knows what he'southward talking about."[61]

In 1983, Miller traveled to People's republic of china to produce and straight Death of a Salesman at the People's Art Theatre in Beijing. The play was a success in China[57] and in 1984, Salesman in Beijing, a book about Miller's experiences in Beijing, was published. Effectually the aforementioned time, Death of a Salesman was made into a TV movie starring Dustin Hoffman as Willy Loman. Shown on CBS, it attracted 25 one thousand thousand viewers.[19] [62] In tardily 1987, Miller's autobiographical work, Timebends, was published. Before it was published, it was well known that Miller would not talk about Monroe in interviews; in Timebends Miller talks about his experiences with Monroe in detail.[24]

During the early-mid 1990s, Miller wrote three new plays: The Ride Down Mt. Morgan (1991), The Last Yankee (1992), and Broken Glass (1994). In 1996, a film of The Crucible starring Daniel Mean solar day-Lewis, Paul Scofield, Bruce Davison, and Winona Ryder opened. Miller spent much of 1996 working on the screenplay for the pic.[19]

Mr. Peters' Connections was staged Off-Broadway in 1998, and Expiry of a Salesman was revived on Broadway in 1999 to celebrate its fiftieth anniversary. The play, again, was a large critical success, winning a Tony Award for best revival of a play.[63]

In 1993, he was awarded the National Medal of Arts.[64] Miller was honored with the PEN/Laura Pels Theater Accolade for a Main American Dramatist in 1998. In 2001 the National Endowment for the Humanities (NEH) selected Miller for the Jefferson Lecture, the U.S. federal government's highest honor for achievement in the humanities.[65] Miller's lecture was entitled "On Politics and the Art of Acting."[66] Miller's lecture analyzed political events (including the U.S. presidential ballot of 2000) in terms of the "arts of functioning", and it drew attacks from some conservatives[67] such equally Jay Nordlinger, who called it "a disgrace",[68] and George Will, who argued that Miller was not legitimately a "scholar".[69]

In 1999, Miller was awarded The Dorothy and Lillian Gish Prize,[70] [71] one of the richest prizes in the arts, given annually to "a man or woman who has fabricated an outstanding contribution to the beauty of the earth and to flesh's enjoyment and agreement of life."[72] In 2001, Miller received the National Book Foundation'southward Medal for Distinguished Contribution to American Letters. On May 1, 2002, Miller was awarded Spain'due south Principe de Asturias Prize for Literature as "the undisputed primary of modernistic drama". Later that year, Ingeborg Morath died of lymphatic cancer[73] at the age of 78. The following year Miller won the Jerusalem Prize.[19]

In December 2004, 89-year-old Miller announced that he had been in love with 34-year-erstwhile minimalist painter Agnes Barley and had been living with her at his Connecticut subcontract since 2002, and that they intended to ally.[74] Within hours of her begetter's expiry, Rebecca Miller ordered Barley to vacate the premises because she had consistently been opposed to the relationship.[75] Miller's final play, Finishing the Picture, opened at the Goodman Theatre, Chicago, in the fall of 2004, with one character said to be based on Barley.[76] It was reported to exist based on his experience during the filming of The Misfits,[77] though Miller insisted the play is a work of fiction with independent characters that were no more than than composite shadows of history.[78]

Death [edit]

Miller died on the evening of February 10, 2005 (the 56th anniversary of the Broadway debut of Death of a Salesman) at age 89 of bladder cancer and heart failure, at his dwelling in Roxbury, Connecticut. He had been in hospice care at his sister'south flat in New York since his release from hospital the previous month.[79] He was surrounded by Barley, family and friends.[fourscore] [81] His body was interred at Roxbury Center Cemetery in Roxbury.

Legacy [edit]

Miller'south career as a writer spanned over seven decades, and at the time of his death, Miller was considered to be one of the greatest dramatists of the twentieth century.[30] After his expiry, many respected actors, directors, and producers paid tribute to Miller,[82] some calling him the last not bad practitioner of the American stage,[83] and Broadway theatres darkened their lights in a show of respect.[84] Miller'southward alma mater, the Academy of Michigan, opened the Arthur Miller Theatre in March 2007. Equally per his limited wish, information technology is the simply theatre in the earth that bears Miller's name.[85]

Other notable arrangements for Miller'south legacy are that his letters, notes, drafts and other papers are housed at the Harry Bribe Humanities Research Center at The University of Texas at Austin.

Miller is also a member of the American Theater Hall of Fame. He was inducted in 1979.[86] [87]

In 1993, he received the 4 Freedoms Award for Freedom of Spoken language.[88]

In 2017, his daughter, Rebecca Miller, a writer and filmmaker, completed a documentary near her father's life, under the championship Arthur Miller: Writer.[89]

Minor planet 3769 Arthurmiller is named subsequently him.[ninety]

Foundation [edit]

The Arthur Miller Foundation was founded to honor the legacy of Miller and his New York City Public School Didactics. The mission of the foundation is: "Promoting increased access and disinterestedness to theater arts education in our schools and increasing the number of students receiving theater arts education as an integral part of their academic curriculum."[91] Other initiatives include certification of new theater teachers and their placement in public schools; increasing the number of theater teachers in the arrangement from the current estimate of 180 teachers in 1800 schools; supporting professional development of all certified theater teachers; providing teaching artists, cultural partners, physical spaces, and theater ticket allocations for students. The foundation's principal purpose is to provide arts education in the New York City schoolhouse arrangement. The current chancellor of the foundation is Carmen Farina, a large proponent of the Common Core State Standards Initiative. The Master Arts Council includes, among others, Alec Baldwin, Ellen Barkin, Bradley Cooper, Dustin Hoffman, Scarlett Johansson, Tony Kushner, Julianne Moore, Michael Moore, Liam Neeson, David O. Russell, and Liev Schreiber. His son-in-law Daniel Twenty-four hour period-Lewis, serves on the current board of directors since 2016.[92]

The foundation celebrated Miller's 100th birthday with a one-dark-only performance of Miller's seminal works in Nov 2015.[93]

The Arthur Miller Foundation currently supports a pilot program in theater and film at the public school Quest to Learn in partnership with the Institute of Play. The model is being used every bit an in-school elective theater form and lab. The objective is to create a sustainable theater education model to disseminate to teachers at professional development workshops.[94]

Annal [edit]

Miller donated xiii boxes of his earliest manuscripts to the Harry Ransom Centre at the University of Texas at Austin in 1961 and 1962.[95] This collection included the original handwritten notebooks and early typed drafts for Expiry of a Salesman, The Crucible, All My Sons, and other works. In January, 2018, the Ransom Centre announced the acquisition of the residuum of the Miller archive totaling over 200 boxes.[96] [97] The full archive opened in November, 2019.[98]

Literary and public criticism [edit]

Christopher Bigsby wrote Arthur Miller: The Definitive Biography based on boxes of papers Miller made bachelor to him before his decease in 2005.[99] The volume was published in November 2008, and is reported to reveal unpublished works in which Miller "bitterly assail[ed] the injustices of American racism long before information technology was taken upwards by the civil rights movement".[99]

In his book Trinity of Passion, author Alan M. Wald conjectures that Miller was "a member of a author'due south unit of the Communist Party around 1946," using the pseudonym Matt Wayne, and editing a drama column in the magazine The New Masses.[100] [101]

In 1999 the writer Christopher Hitchens attacked Miller for comparing the Monica Lewinsky investigation to the Salem witch hunt. Miller had asserted a parallel between the exam of physical evidence on Lewinsky'southward dress and the examinations of women's bodies for signs of the "Devil's Marks" in Salem. Hitchens scathingly disputed the parallel.[102] In his memoir, Hitch-22, Hitchens bitterly noted that Miller, despite his prominence every bit a left-wing intellectual, had failed to support author Salman Rushdie during the Iranian fatwa involving The Satanic Verses.[103]

Works [edit]

Stage plays [edit]

  • No Villain (1936)
  • They As well Arise (1937, based on No Villain)
  • Honors at Dawn (1938, based on They Too Ascend)
  • The Grass Withal Grows (1938, based on They Too Arise)
  • The Smashing Disobedience (1938)
  • Listen My Children (1939, with Norman Rosten)
  • The Golden Years (1940)
  • The Half-Bridge (1943)
  • The Man Who Had All the Luck (1944)[99]
  • All My Sons (1947)
  • Death of a Salesman (1949)
  • An Enemy of the People (1950, based on Henrik Ibsen's play An Enemy of the People)
  • The Crucible (1953)
  • A View from the Span (1955)
  • A Retentiveness of Ii Mondays (1955)
  • Later the Fall (1964)
  • Incident at Vichy (1964)
  • The Price (1968)
  • The Reason Why (1970)
  • Fame (one-act, 1970; revised for television 1978)
  • The Creation of the World and Other Business (1972)
  • Up from Paradise (1974)
  • The Archbishop's Ceiling (1977)
  • The American Clock (1980)
  • Playing for Time (boob tube play, 1980)
  • Elegy for a Lady (short play, 1982, first part of Two Manner Mirror)
  • Some Kind of Love Story (curt play, 1982, 2d office of 2 Way Mirror)
  • I Call back About You lot a Great Deal (1986)
  • Playing for Time (stage version, 1985)
  • I Can't Remember Anything (1987, nerveless in Danger: Memory!)
  • Clara (1987, collected in Danger: Retention!)
  • The Ride Down Mt. Morgan (1991)
  • The Last Yankee (1993)
  • Broken Glass (1994)
  • Mr. Peters' Connections (1998)
  • Resurrection Dejection (2002)
  • Finishing the Picture (2004)

Radio plays [edit]

  • The Pussycat and the Proficient Plumber Who Was a Human being (1941)
  • Joel Chandler Harris (1941)
  • The Boxing of the Ovens (1942)
  • Thunder from the Mountains (1942)
  • I Was Married in Bataan (1942)
  • That They May Win (1943)
  • Listen for the Sound of Wings (1943)
  • Bernardine (1944)
  • I Love You (1944)
  • Grandpa and the Statue (1944)
  • The Philippines Never Surrendered (1944)
  • The Guardsman (1944, based on Ferenc Molnár's play)
  • The Story of Gus (1947)

Screenplays [edit]

  • The Claw (1947)
  • All My Sons (1948)
  • Allow's Brand Love (1960)
  • The Misfits (1961)
  • Death of a Salesman (1985)
  • Everybody Wins (1990)
  • The Crucible (1996)

Assorted fiction [edit]

  • Focus (novel, 1945)
  • "The Misfits" (short story, published in Esquire, October 1957)
  • I Don't Need Y'all Anymore (short stories, 1967)
  • Homely Girl: A Life (brusque story, 1992, published in UK as "Plain Girl: A Life" 1995)
  • "The Performance" (short story)
  • Presence: Stories (2007) (short stories include The Bare Manuscript, Beavers, The Performance, and Bulldog)

Non-fiction [edit]

  • Situation Normal (1944) is based on his experiences researching the war correspondence of Ernie Pyle.
  • In Russian federation (1969), the first of 3 books created with his lensman married woman Inge Morath, offers Miller's impressions of Russia and Russian club.
  • In the Country (1977), with photographs by Morath and text by Miller, provides insight into how Miller spent his time in Roxbury, Connecticut, and profiles of his various neighbors.
  • Chinese Encounters (1979) is a travel periodical with photographs by Morath. It depicts the Chinese society in the state of flux which followed the terminate of the Cultural Revolution. Miller discusses the hardships of many writers, professors, and artists as they attempt to regain the sense of liberty and place they lost during Mao Zedong's regime.
  • Salesman in Beijing (1984) details Miller'due south experiences with the 1983 Beijing People's Theatre production of Death of a Salesman. He describes the idiosyncrasies, understandings, and insights encountered in directing a Chinese cast in a decidedly American play.
  • Timebends: A Life, Methuen London (1987) ISBN 0-413-41480-9. Like Death of a Salesman, the book follows the structure of retentivity itself, each passage linked to and triggered by the one before.

Collections [edit]

  • Abbotson, Susan C. W. (ed.), Arthur Miller: Collected Essays, Penguin 2016 ISBN 978-0-xiv-310849-8
  • Centola, Steven R. ed. Echoes Down the Corridor: Arthur Miller, Collected Essays 1944–2000, Viking Penguin (US)/Methuen (UK), 2000 ISBN 0-413-75690-4
  • Kushner, Tony, ed. Arthur Miller, Collected Plays 1944–1961 (Library of America, 2006) ISBN 978-1-931082-91-4.
  • Martin, Robert A. (ed.), "The theater essays of Arthur Miller", foreword by Arthur Miller. NY: Viking Printing, 1978 ISBN 0-14-004903-vii

References [edit]

  1. ^ "Website of St. Louis Literary Award". Archived from the original on Baronial 23, 2016. Retrieved July 25, 2016.
  2. ^ Saint Louis Academy Library Assembly. "Recipients of the Saint Louis Literary Award". Archived from the original on July 31, 2016. Retrieved July 25, 2016.
  3. ^ Associated Press, "Citing Arts' Ability, Arthur Miller Accepts International Prize." Los Angeles Times, iv September 2002
  4. ^ Ratcliffe, Michael (February 12, 2005). "Arthur Miller". The Guardian . Retrieved May eight, 2018.
  5. ^ Miller, Gerri (March 14, 2018). "Girl Documents the Inner Arthur Miller". Jewish Journal . Retrieved May 8, 2018.
  6. ^ Kampel, Stewart (September xix, 2013). "Q&A with Rebecca Miller". Hadassah Mag . Retrieved May 8, 2018.
  7. ^ Campbell, James (July 26, 2003). "Arthurian legends". The Guardian . Retrieved May 8, 2018.
  8. ^ Arthur Miller's Intermarriages Archived Dec 22, 2015, at the Wayback Machine Golin, Paul. Published Feb 16, 2005. Accessed December 12, 2015.
  9. ^ "Marilyn Monroe's Jewish Wedding 'Cover Up'" Ghert-Zand, Renee. Published December 28, 2012. Accessed Dec 12, 2015.
  10. ^ "A World in Which Everything Hurts; Arthur Miller'south Struggle With Jewish Identity May Exist Responsible for His All-time Work" Eden, Ami. Published July 30, 2004. Accessed December 12, 2015.
  11. ^ Arthur Miller, Timebends: A Life, A&C Black, 2012. p. 539.
  12. ^ BBC TV Interview; Miller and Yentob; 'Finishing the Pic,' 2004
  13. ^ Miller, Arthur (June 22, 1998) American Summertime: Before Ac. The New Yorker. Retrieved on October 30, 2013.
  14. ^ a b Garner, Dwight (June 2, 2009). "Miller: Life before and after Marilyn". The New York Times . Retrieved Dec eighteen, 2011.
  15. ^ a b c d e f g h The Times Arthur Miller Obituary, (London: The Times, 2005)
  16. ^ Applebome, Peter. "Nowadays at the Nascency of a Salesman", The New York Times, January 29, 1999. Accessed Feb 8, 2019. "Mr. Miller was born in Harlem in 1915 and then moved with his family to the Midwood department of Brooklyn."
  17. ^ Hechinger, Fred G. "Personal Touch Helps", The New York Times, January 1, 1980. Accessed September xx, 2009. "Lincoln, an ordinary, unselective New York Metropolis high school, is proud of a galaxy of prominent alumni, who include the playwright Arthur Miller, Representative Elizabeth Holtzman, the authors Joseph Heller and Ken Auletta, the producer Mel Brooks, the singer Neil Diamond and the songwriter Neil Sedaka."
  18. ^ Page, Myra; Baker, Christina Looper (1996). In a Generous Spirit: A Commencement-Person Biography of Myra Page. Academy of Illinois Printing. p. 145. ISBN9780252065439 . Retrieved August iv, 2018.
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  20. ^ For Rowe's recollections of Miller'due south piece of work as a student playwright, encounter Kenneth Thorpe Rowe, "Shadows Cast Before," in Robert A. Martin, ed. (1982) Arthur Miller: New Perspectives, Prentice-Hall, ISBN 0130488011. Rowe's influential book Write That Play (Funk and Wagnalls, 1939), which appeared merely a year later on Miller's graduation, describes Rowe'due south arroyo to play construction.
  21. ^ Arthur Miller, Timebends: A Life. New York: Grove Press, 1987, pp. 226–227
  22. ^ "Arthur Miller Files (UM days)". University of Michigan. Retrieved September 24, 2006.
  23. ^ "Arthur Miller and Academy of Michigan". University of Michigan. Archived from the original on September 13, 2006. Retrieved September 24, 2006.
  24. ^ a b c d eastward f k h i Ratcliffe, Michael (February 11, 2005). "Obituary: Arthur Miller". The Guardian. London. p. 25. Archived from the original on July 23, 2012. Retrieved July 23, 2012.
  25. ^ Fried, Billy (April nine, 2022). "Remembering Bob Miller". Laguna Beach Independent. Firebrand Media LLC. Retrieved August thirteen, 2022.
  26. ^ Royal National Theater: Platform Papers, 7. Arthur Miller (Battley Brothers Printers, 1995).
  27. ^ Shenton, Mark (March xiv, 2008). "The human being who HAS all the luck..." The Stage. The Phase Newspaper Limited. Archived from the original on May 19, 2009. Retrieved May half dozen, 2009.
  28. ^ Bigsby, C. W. Due east. (2005). Arthur Miller: A Disquisitional Study . Cambridge Academy Press. p. 301. ISBN978-0-521-60553-3.
  29. ^ Rifkin, Ron, "Arthur Miller", BOMB Mag Fall, 1994. Retrieved on July 18, 2012.
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  31. ^ Dan Isaac, Founding Father: O'Neill'southward Correspondence with Arthur Miller and Tennessee Williams, The Eugene O'Neill Review, Vol. 17, No. ane/two (Spring/Fall 1993), pp. 124–33
  32. ^ Miller, Arthur (1988) Introduction to Plays: One, London: Methuen, p. 51, ISBN 0413175502.
  33. ^ a b c d e f Meyers, Jeffrey. The Genius and the Goddess: Arthur Miller and Marilyn Monroe. University of Illinois Press (2010) ISBN 978-0-252-03544-9
  34. ^ a b Çakırtaş, Önder. "Double Portrayed: Tituba, Racism and Politics." International Journal of Linguistic communication Academy. Volume ane/1 Winter 2013, pp. 13–22.
  35. ^ Monroe, Marilyn (2010). Fragments: Poems, Intimate Notes, Letters. New York: Farrar, Straus and Giroux. pp. 89–101. ISBN9780374158354.
  36. ^ Celizic, Mike (June ii, 2008). "New footage of Marilyn Monroe, Clark Gable revealed". Today . Retrieved April 22, 2018.
  37. ^ Grobel, Lawrence. The Hustons, Charles Scribner's Sons, New York (1989) p. 489
  38. ^ "Marilyn Monroe is found dead". HISTORY . Retrieved September 2, 2020.
  39. ^ Badman, Keith. The Last Years of Marilyn Monroe: The Shocking True Story, Aurum Press (2010) ebook, ISBN 9781781310519
  40. ^ Andrews, Suzanna (September 2007). "Arthur Miller'southward Missing Act". Vanity Fair . Retrieved August 17, 2007.
  41. ^ Joseph Epstein (November 29, 2011). Gossip: The Untrivial Pursuit. HMH. pp. 35–37. ISBN9780547577210 . Retrieved March 29, 2020.
  42. ^ Andrews, Suzanna (August 13, 2007). "Arthur Miller'due south Missing Act". Vanity Fair . Retrieved June 3, 2021.
  43. ^ Mills, Michael. "Postage Paid: In defense of Elia Kazan". moderntimes.com. Retrieved February 25, 2009.
  44. ^ a b "American Masters: Elia Kazan". PBS. September three, 2003. Archived from the original on September 23, 2006. Retrieved September 22, 2006.
  45. ^ Sklar, Robert. "On The Waterfront" (PDF). Library of Congress . Retrieved December 27, 2018.
  46. ^ For a frequently cited study of Miller's employ of the Salem witchcraft episode, see Robert A. Martin, "Arthur Miller'southward The Crucible: Background and Sources", reprinted in James J. Martine, ed. (1979) Critical Essays on Arthur Miller, G. K. Hall, ISBN 0816182582.
  47. ^ "Are yous now, or were you always?". University of Pennsylvania. Archived from the original on September ten, 2006. Retrieved September 25, 2006.
  48. ^ a b c d "BBC On This Day". BBC. August 7, 1958. Retrieved October fourteen, 2006.
  49. ^ Drury, Allen (June 22, 1956). "Arthur Miller Admits Helping Communist-Front Groups in '40's". The New York Times . Retrieved June 7, 2016.
  50. ^ "Arthur Miller Files". University of Michigan. Retrieved Apr 2, 2016.
  51. ^ Barthel, Joan:A Death in Canaan. New York: E.P. Dutton. 1976
  52. ^ A Expiry in Canaan |url = https://world wide web.imdb.com/title/tt0077412/
  53. ^ "A Son's Confession DVD, Shows The Showtime 48, A&E Store". shop.aetv.com. Archived from the original on Jan 16, 2013. Retrieved January 11, 2009.
  54. ^ Stowe, Stacey (September 3, 2004). "Records on Exonerated Human being Are Kept Off Limits to Press". The New York Times . Retrieved January xi, 2009.
  55. ^ The Moral of Arthur Miller. The Weekly Standard (Feb 28, 2005). Retrieved on Oct 30, 2013.
  56. ^ Miller, Arthur (December 24, 2003). "A Visit With Castro". The Nation. Archived from the original on Baronial 20, 2015. Retrieved August i, 2006.
  57. ^ a b "Arthur Miller Files 60s70s80s". Academy of Michigan. Retrieved October xiv, 2006.
  58. ^ Kurlansky, Mark. (2004). 1968 : the year that rocked the world (1st ed.). New York: Ballantine. ISBN0-345-45581-9. OCLC 53929433.
  59. ^ Mel Gussow (Apr 17, 1974). "Arthur Miller Returns to Genesis for Kickoff Musical". The New York Times . Retrieved January xi, 2009.
  60. ^ "Up from Paradise – Review". The New York Times . Retrieved January 11, 2009. (subscription required)
  61. ^ Martin, Robert A. (1978) ed., The Theater Essays of Arthur Miller. Viking, ISBN 0670698016.
  62. ^ The Cambridge History of American Theatre: Post-World War Two to the 1990s, page 296 (Cambridge University Press, 2006).
  63. ^ "Tony Awards 1999". tonyawards.com. Retrieved Oct 28, 2006.
  64. ^ "Lifetime Honors – National Medal of Arts". Nea.gov. Archived from the original on July 21, 2011. Retrieved December 18, 2011.
  65. ^ Jefferson Lecturers at NEH Website. Retrieved January 22, 2009.
  66. ^ Arthur Miller, "On Politics and the Art of Acting", text of Jefferson Lecture at NEH website.
  67. ^ Bruce Craig, "Arthur Miller's Jefferson Lecture Stirs Controversy," in "Capital Commentary" Archived November 22, 2008, at the Wayback Auto, OAH Newsletter [published by Organisation of American Historians], May 2001.
  68. ^ Nordlinger, Jay (Apr 22, 2002) "Back to Plessy, Easter with Fidel, Miller'south new tale, &c." National Review.
  69. ^ George Will, "Enduring Arthur Miller: Oh, the Humanities!", Jewish Earth Review, Apr 10, 2001.
  70. ^ "Arthur Miller; Bio; Awards." Athurmiller.org. N.p., northward.d. Spider web. 05 Feb. 2015.
  71. ^ Arthur Miller, The Pulitzer Prizes, pulitzerprize.org
  72. ^ The Dorothy and Lillian Gish Prize Archived October half-dozen, 2013, at the Wayback Motorcar, official website.
  73. ^ William Wrigg (Jan 12, 2003). "On Inge Morath's decease". The New York Times Magazine . Retrieved January 21, 2007.
  74. ^ "At 89, Arthur Miller grows old romantically". The Daily Telegraph. Dec xi, 2004. Archived from the original on January 11, 2022. Retrieved September 3, 2014.
  75. ^ Leonard, Tom (February xviii, 2005). "Miller's fiancée quits his home afterward ultimatum from family". The Daily Telegraph. Archived from the original on Jan xi, 2022. Retrieved February 21, 2013.
  76. ^ "Arthur Miller creates a new piece of work". USA Today. Chicago. Oct 10, 2004. Retrieved September 23, 2014. And in the play's sweetest moments, he'south constitute a new romance – Kitty'southward tenderhearted secretary, played by Fisher, a matrimony possibly mirroring Miller's reported new relationship with Agnes Barley, a 34-year-former artist.
  77. ^ Solomon, Deborah (September 19, 2004). "Goodbye (Once again), Norma Jean". The New York Times . Retrieved September 3, 2014.
  78. ^ Jones, Chris (February 12, 2005). "Arthur Miller (1915–2005) – The Shadow Of Marilyn Monroe. Decades after, a human even so haunted". Chicago Tribune . Retrieved September iii, 2014.
  79. ^ Richard Christiansen (February 23, 2005). "Miller'southward terminal days reflected his life". Chicago Tribune.
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  81. ^ Leonardin, Tom (Feb 12, 2005). "Dramatist's terminal hours spent in home he shared with star". The Irish Independent . Retrieved December xviii, 2011.
  82. ^ "Tributes to Arthur Miller". BBC. February 12, 2005. Retrieved November nine, 2006.
  83. ^ "Legacy of Arthur Miller". BBC. Feb 11, 2005. Retrieved January 21, 2007.
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  86. ^ "Theater Hall of Fame | The Official Website | Members | Preserve the By • Honor the Present • Encourage the Time to come". world wide web.theaterhalloffame.org.
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  91. ^ Arthur Miller Foundation, summary report and legitimacy information, guidestar.org
  92. ^ The Arthur Miller Foundation, arthurmillerfoundation.org
  93. ^ "Celebrating Arthur Miller's Centenary: An Events Guide". Archived from the original on Oct xi, 2015.
  94. ^ Media Room, Jerky Pudding Institute of 1770, hastypudding.org
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  96. ^ "Playwright Arthur Miller's annal comes to the Harry Ransom Eye". sites.utexas.edu . Retrieved January 10, 2018.
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  100. ^ Wald, Alan M (2007). "7". Trinity of passion: the literary left and the antifascist crusade. NC: Academy of North Carolina Press. pp. 212–221. ISBN978-0-8078-3075-viii . Retrieved May 6, 2009.
  101. ^ Paul Kengor (Oct 16, 2015). "Arthur Miller – Communist". The American Spectator . Retrieved March eighteen, 2018. Wald discovered that Miller published in New Masses under the pseudonym of 'Matt Wayne' from March 1945 to March 1946.
  102. ^ Hitchens, Christopher (April eighteen, 1999). "Bill Clinton: Is He the Most Crooked President in History?". The Guardian . Retrieved February 14, 2020.
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Bibliography [edit]

  • Bigsby, Christopher (ed.), The Cambridge Companion to Arthur Miller, Cambridge 1997 ISBN 0-521-55992-8
  • Gottfried, Martin, Arthur Miller, A Life, Da Capo Press (The states)/Faber and Faber (UK), 2003 ISBN 0-571-21946-2
  • Koorey, Stefani, Arthur Miller'south Life and Literature, Scarecrow, 2000 ISBN 978-0810838697
  • Moss, Leonard. Arthur Miller, Boston: Twayne Publishers, 1980.

Further reading [edit]

  • Critical Companion to Arthur Miller, Susan C. W. Abbotson, Greenwood (2007)
  • Educatee Companion to Arthur Miller, Susan C. Westward. Abbotson, Facts on File (2000)
  • File on Miller, Christopher Bigsby (1988)
  • Arthur Miller & Company, Christopher Bigsby, editor (1990)
  • Arthur Miller: A Critical Study, Christopher Bigsby (2005)
  • Remembering Arthur Miller, Christopher Bigsby, editor (2005)
  • Arthur Miller 1915–1962, Christopher Bigsby (2008, U.K.; 2009, U.Due south.)
  • The Cambridge Companion to Arthur Miller (Cambridge Companions to Literature), Christopher Bigsby, editor (1998, updated and republished 2010)
  • Arthur Miller 1962–2005, Christopher Bigsby (2011)
  • Nelson, Benjamin (1970). Arthur Miller, Portrait of a Playwright . New York: McKay.
  • Arthur Miller: Critical Insights, Brenda Murphy, editor, Salem (2011)
  • Understanding Death of a Salesman, Brenda Murphy and Susan C. W. Abbotson, Greenwood (1999)
  • Robert Willoughby Corrigan, ed. (1969). Arthur Miller: A Collection of Critical Essays. Englewood Cliffs, New Jersey: Prentice-Hall. ISBN978-0135829738. OL 5683736M.

Critical articles

  • Arthur Miller Periodical, published biannually by Penn State Up. Vol. 1.1 (2006)
  • Radavich, David. "Arthur Miller's Sojourn in the Heartland". American Drama 16:ii (Summer 2007): 28–45.

External links [edit]

Organizations

  • Arthur Miller official website
  • Arthur Miller Society
  • The Arthur Miller Foundation

Archive

  • Arthur Miller Papers at the Harry Ransom Center
  • "Playwright Arthur Miller's archive comes to the Harry Ransom Heart"
  • Finding aid to Arthur Miller papers at Columbia Academy. Rare Book & Manuscript Library.

Databases

  • Arthur Miller at the Internet Broadway Database Edit this at Wikidata
  • Arthur Miller at the Cyberspace Off-Broadway Database
  • Arthur Miller at IMDb

Websites

  • Arthur Miller at Curlie
  • Arthur Miller at Find a Grave
  • Appearances on C-Span
  • A Visit With Castro – Miller's commodity in The Nation, January 12, 2004
  • Works by Arthur Miller at Open Library Edit this at Wikidata
  • Joyce Carol Oates on Arthur Miller
  • Arthur Miller Biography
  • Arthur Miller and Mccarthyism

Interviews

  • Carlisle, Olga & Styron, Rose (Summertime 1966). "Arthur Miller, The Art of Theater No. 2". The Paris Review Interview. Summer 1966 (38).
  • Bigby, Christopher (Fall 1999). "Arthur Miller, The Art of Theater No. 2, Part 2". The Paris Review. Autumn 1999 (152).
  • Miller interview, Humanities, March–April 2001

Obituaries

  • The New York Times Obituary
  • NPR obituary
  • CNN obituary
Non-profit organization positions
Preceded past

Victor E. van Vriesland

 International President of PEN International
1965–1969 		Succeeded by

Pierre Emmanuel

How Tall Was Arthur Miller,

Source: https://en.wikipedia.org/wiki/Arthur_Miller

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